Vivian Maier

I dabble in street photography. I am a recent dabbler so I do not know very many of the masters of the genre. However, the relatively recent discovery of Chicago-area nanny Vivian Maier's work sort of opened the door to street photography for me. Maier was a prolific shooter, and often had the kids she took care of in tow. Her work is brilliant.

Vivid Vivian Maier

Brazilian artist Eduardo Kobra created this beautiful, colorful tribute to Maier. Her work was mostly shot on black and white film so I also made a monochrome version.

Maier in monochrome

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Alone at Work

I have not been out shooting very much in recent weeks, as I am in the middle of a nine-week classroom and on-the-job-training regimen for a new position at work. However, during an earlier training session a few months ago I took a few shots inside the training facility. We are required to complete annual and quarterly recurrent lessons in a computer lab. I usually zip through them and am often left to my own devices afterward. When there are not classes of new hires for various departments in the building then there are not very many people in the building at all, especially during afternoon and evening shifts. I was able to wander the halls of the building alone for a while.

Men's locker room

The long main hallway

I really liked the light cast and shadows created on the concrete walls in the shots above and below. The building is relatively old so I wanted some shots before it gets torn down some time next year. I will have to shoot some more when I get the chance.

Up and down alone

Eating a lonely lunch

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Happy Accidents

I have been having trouble keeping this blog updated. I go shooting frequently, but I do not want to use this blog as an image dump--I also want to write more meaningfully about the photographic process. The drought temporarily ended yesterday with a happy accident. Happy accidents happen in photography just as they do in life. The backstory on this is that I have not ridden my bicycle very much at all over the last few years, including not riding it even once last year. So a few days ago a buddy reached out and asked if I wanted to go for a bike ride. I agreed, and we laid out a specific course because there was a sculpture I wanted to take some photos of.

The stainless steel piece titled Looking Up is by American artist Tom Friedman. It stands 33.3 feet tall and currently stands near 53rd Street along Chicago's lakefront. This is one of three such figures looking up to the heavens. One is a proof and another stands in New York City.

'Looking Up' by Tom Friedman

The happy accident here was the position of the sun. I did not plan to be there at that exact moment. I have driven past the sculpture on several occasions and never stopped to shoot. Several things had to happen: my friend had to reach out, I had to not come up with an excuse not to meet him, and I had to arrive at that time. My images would have been boring without an element of interest in the sky, and I would have taken fewer frames. I was delighted when I arrived and saw the sun where it was. That is not to say that I would not return when the sky above is really cloudy.

A being of wonder

Standing tall

Contact

If not for the position of the sun I would not have played around with as many angles as I did. I would not have played with flaring as I did in the above image. What is a happy accident that happened to you in your photographic experiences?

Click images to view on black.

Land/cityscape in Black and White

There are not that many obvious or "traditional" landscape shooting opportunities in Chicago. I am not looking hard enough. I live just over two miles from Lake Michigan so the lakefront is a good spot for doing some landscapes. But they are technically cityscapes.

This particular day was a fairly nice day. It started with nice blue sky with puffy white clouds, but it was windy and rain was coming. Thicker clouds started rolling in. I envisioned taking these shots as monochromes from the start. Even though the sky started nicely blue, the images were just too blue because the water was blue as well, and there were no other interesting colors present.

I used Fujifilm's Acros black and white film simulation with a red filter as my base. Then I adjusted whites, blacks, highlights, and shadows in post.

View of downtown from the south side

I wished there were some more clouds in the sky for the shot below to balance it out better.

The clouds thickened and made for more drama.

Rain coming

As an aside I do not currently own any zoom lenses on my Fujifilm X system. When I was shooting Canon my main lens was a zoom lens. For all of these shots I may have either zoomed in or out if I had a zoom. However, I am enjoying using just prime lenses. I see things differently, and I do not miss having a zoom at all. I used to shoot just primes prior to my Canon system so it is not something new to me. I also do not feel that one type of lens is "better" than the other. They are all tools, just with different applications. It is up to the individual to utilize them as they see fit.

Click images to view on black.

Architecture Light Lines Monochrome Shadows Shapes Windows

I titled this blog post with a bunch of tags that I arranged in alphabetical order. That is pretty much it. I was exploring a convention center space, and the light streaming in through the large windows beautifully painted shadows and shapes on to the walls. These two images were taken on two separate weekends. It was great being able to get some images devoid of convention goers. I shot over a balcony and up into a corner to avoid including any people. I did not have a tripod with me, otherwise I might have taken some shots in the main lobby and just remove people in post.

Diagonals horizontals and verticals

Blacks and whites

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Snowy Day in Chicago

We have not had accumulated snowfall for the months of January and February in Chicago. This has not happened in nearly 150 years. So I was glad that I went out on a heavy snowfall day back in December. The snow was wet and the flakes were big. I took advantage of the weather-sealed camera and lens combination of the Fujifilm X-Pro2 and the Fujinon XF35mmF2. I wore a good water repellent coat and a great pair of boots, but my pants were soaked in some spots so I was not completely comfortable. The camera and lens though? They performed phenomenally.

I wanted to show park spaces in downtown Chicago devoid of human presence. These spaces are often populated when it is warm so my goal was to show the exact opposite. It was a gray day and I decided to present the images in gray scale. Fujifilm's Acros film simulation is beautiful. Despite the highly-touted quality of the jpegs I used and worked with the RAW files.

This group of 106 head- and armless bodies is called Agora. They are iron sculptures crafted by Polish artist Magdalena Abakanowicz. They wander in every direction just off the intersection of Roosevelt Road and Michigan Avenue.

Agora

This scene has become one of my personal favorite images. I was not particularly a fan of this park space at all, but it just looked so beautiful at the moment I walked by. I liked the symmetry of some of the scene. I actually got this one in one take. As you may know, we're not always so lucky with our shooting. Sometimes I take frame after frame and get nothing and move on. This was one of those happy moments I have as a photographer, knowing that I got the shot right away.

Beautiful day for a walk in the park

I made one decision to disturb the continuity of the series. The red and yellow sculptures in this park added a pop of color to an otherwise gray day and environment.

Red and yellow on a gray day

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Foggy Day Urbex

I was out exploring and shooting a couple weeks ago when Chicago was blanketed in fog. The streets of downtown were great. I was attracted to the bluish-gray hue. I enhanced the blue in the following two images in post to emphasize the mood I felt while shooting. A friend remarked that the space in between the buildings in the middle of the frame looks itself like an upside down skyscraper. It does!

Melancholy in the Loop

The yellow of the street lighting was a nice contrast to the blue. I am not a patient photographer. I should have waited for a train to arrive at my station for additional foreground interest. I have another shot like this I took last year where there I did wait for a train, so I guess I simply felt it wasn't needed.

RUMP Tower ;P

Then I switched to monochrome for a more gritty urban mood in the following two images. I love how the fog in the air made the lights glow. The first image was shot in my neighborhood. There is a viaduct on every block for quite a long stretch. I love them. Some of them still have exposed cobblestone. A railway runs along the top on the left side of the frame.

The lighted path

The lighted dots in the upper half of the frame are lights from a distant highrise. They look a bit like stars.

Urban geometry of alleyways

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