I recently purchased a 1970s-era 50mm Summilux to go along with my Leica M9-P. I went down to my aunt's and uncle's yard today to make some images, as there is always something of interest to capture. The shot above is of a structure they built for the vines of melon plants to climb this Summer. The M9-P's CCD sensor rendors some nice color. I applied a Kodak Gold 100 preset to give the saturation a slight jolt. Very pleasing colors. Even more pleasing is the transition from what is in focus to what is out of focus--so smooth!

There are interesting things to see in the sky as well. This was a shot from underneath the structure as a Boeing 737 flew by on its approach to an airport not too far from here. I probably should have taken another shot like this wide open to see what the result of that would look like. Perhaps next time.

I shot the lens wide open in every shot except the one with the airplane, and at ISOs between 160 and 400. Image quality is impressive. The approximately 40-year-old lens is in excellent condition. Sharpness is crisp if I nail focus, and I have to really nail it but I do not always do. Even wide open it is sharp, with no extreme vignetting. I prefer to add my own vignettes.

I am enjoying the characteristics of this lens. Those characteristics are particular to this lens, and have been built over four decades or so. The images have a warmth to them--not in terms color temperature. The images are more inviting than those produced by modern lenses that offer extreme sharpness in all areas of the frame.

The biggest drawback to this version of the 50mm Summilux is that the minimum focusing distance is over three feet. Close focusing would have allowed for some shots of some plants sprouting, or even some closer detail shots of the different materials and textures of the objects in all my images above. It is still a great great lens, and I look forward to many years of use to come.

Click images to view on black.

I have been using the Fujifilm X-Pro2 for a little over a year now, and it has been the best shooting experience I have ever had. Many have likened it to Leica's system in looks and feel. I would not go that far, but I will agree with what has been described as an "organic" shooting experience for the Fuji X system. I look down on the camera and my exposure triangle controls (for ISO, aperture, and shutter speed) are right there. I can have all my settings down before I even turn on the camera.

I learned to shoot in the film days, and the first camera that I used that made me want to go out and shoot with it was the Nikon F2. I owned some non-memorable cameras before and after it, and that F2 was brilliant. Fast forward a decade and I made the jump to digital. Canon's 5D mark II was the camera that I have used most. It was a terrific camera. I was content. Then mirrorless cameras started coming out. A friend of mine bought Fujifilm's X-E1. I liked it, but not enough to replace the 5D. But the 5D really started weighing on me. I was getting tired of carrying the size and weight of the camera and gear, especially when shooting all weekend at conventions. Then I discovered the Sony a6000. No, it did not look professional at all, but bang-for-the-buck it was one of the best deals I have seen. It had some great features all packed into a tiny body. And Zeiss lenses! Yet it was not enough to get me to sell my Canon gear.

Then Fujifilm announced the X-Pro2. I had never even noticed the X-Pro1, but I started reading about the X-Pro2. Then I started reading and watching review articles and videos. I was sold before I even touched the camera. I ordered one. I was excited. When I got it I was in love. The rangefinder style fit my way of shooting, and brought me back to my childhood, using my father's Konica. It was not long before I sold my Canon gear and fully bought into the Fuji X system. This camera makes me want to go out and shoot. What camera(s) have made you want to go out and shoot?

I shot this image with the Sony a6000, lol.

Click image to view on black.

Qualities of the Leica 50mm f/1.4 Summilux

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